Paillou (Peter, after) & Mazell (Peter, engraver) The Water Hen and the Didapper , hand-coloured etching, from Thomas Pennant’s The British Zoology, plate 270 x 400mm, framed & glazed , 1766.

P Mazell after Peter Paillou, a set of 8 18th Century hand-coloured engravings of birds, each 18" x 12" (46 x 30 cm).

P Mazell after Peter Paillou (1720-1790), 18th century ornithological coloured engraving, 42x31cmProvenance: from the collection of Roysia and Raffaello Romanelli

A pair of framed 18th century hand coloured bird prints engraved by Peter Mazell after illustrations by Peter Paillou for the book British Zoology,circa 1766

A pair of framed 18th century hand coloured bird prints engraved by Peter Mazell after illustrations by Peter Paillou for the book British Zoology,circa 1766

A pair of framed 18th century hand coloured bird prints engraved by Peter Mazell after illustrations by Peter Paillou for the book British Zoology,circa 1766

P Mazell after Peter Paillou, a set of 8 18th Century hand-coloured engravings of birds, each 18" x 12" (46 x 30 cm).

Mazell (Peter) - Magpie; Female Cuckoo; Long-legged Plover, 3 original hand-coloured etchings after Edwards and Barlow, v.s., 335 x 295mm. to 490 x 320mm., slight surface dirt, a few faint spots, [1766] (3) View on bloomsburyauctions.com

AFTER PETER PAILLOU (British, 1757-1831). Ornithological Studies, Four hand-colored engravings by P. Mazell including: The Fulmar, The Coot, Guillemot, Smew. Framed - 10 1/2 in. x 13 1/2 in., plate size

AFTER THOMAS ROWLANDSON - 'A comfortable nap in post chaise', hand coloured etching with aquatint, framed, 24cm x 29cm, also 'The Smoking Club' after J.Boyne and three other late 18th century engravings (5)

English, 19th century. A color engraving from The British Zoology Class II Birds, titled The Bald Buzzard, by Peter Mazell after Peter Paillou. Titled and signed in plate. Matted and framed; 18.25 x 12.25 in. (plate), 27.5 x 21.25 in. (frame).

Peter Mazell, Irish act 1761-1797- "The Magpie", after Barlow; hand-coloured etching, 39x25cm: together with two further hand-coloured etchings of ornithological subjects, entitled "The Female Cuckoo" and "The Big Legged Plover", 34x30cm and 48x31cm....

Peter Mazell, Irish act 1761-1797- ''The Magpie'', after Barlow; hand-coloured etching, 39x25cm: together with two further hand-coloured etchings of ornithological subjects, entitled ''The Female Cuckoo'' and ''The Big Legged Plover'', 34x30cm and 48...

PETER MAZELL (fl. 1761-1797) AFTER LIEUTENANT WATTS, 'New Holland Cassowary (Emu)', hand coloured copper line engraving, from 'The Voyage of Govenor Phillip to Botany Bay', 24.5cm x 19cm

AFTER PETER PAILLOU (British, 1757-1831). Ornithological Studies, Four hand-colored engravings by P. Mazell including: The Bernade, The White Fronted Wild Goose, Skua, The Goosander. Framed - 11 1/4 in. x 17 1/4 in., plate size

AFTER C E HOLLOWAY, HAND COLOURED ETCHING, PUBLISHED 1885 BY ROBERT DUNTHORNE, “The Tower of London”, 13” x 20”; together with one similar (2)

AFTER REMBRANDT - 'Self portrait in front of an easel', etching, published late 19th Century, framed, 44cm x 31cm also sixteen other framed prints after the same hand (17)

AFTER DELAUNEY, HAND COLOURED ETCHING, PUBLISHED CIRCA 1840, “Cathédrale de Reims, 22” x 17”

ROBERT MORDEN - 'Kent', hand coloured engraving, published in Camden's Britannia, 1695, framed, 36cm x 75cm also Morden 'Norfolk' (2)

ROBERT MORDEN - 'England', hand coloured engraving, published in Camden's Britannia, 1695, framed, 37.5cm x 43.5cm also Morden 'Scotland' (2)

AFTER HENRY BUNBURY - A Family Piece, hand coloured etching, published circa 1800, framed, 24cm x 33cm also eight other humorous and political etchings by various hands (9)

AFTER WILLIAM HOGARTH - 'The Enraged Musician', hand coloured reprint, framed, 37.5cm x 43cm, also two other hand coloured reprints after the same hand (3)

RICHARD BEER (1928 - 2017) - ' San Danarto', etching, printed in colour, signed in pencil and numbered 1/10, unframed, 31cm x 19cm, also nine other prints by the same hand (10).From the estate of the late Richard Beer

AFTER JAMES GILLRAY (1757-1815, BRITISH) "The Union Club" hand coloured etching, published by H Humphrey, Jan 21st 1801 11 x 17ins together with "Middlesex - Election 1804" hand coloured etching and aquatint, published by H Humphrey, 7th August 1804 ...

ROBERT MORDEN - 'Nottinghamshire', hand coloured engraving, published in Camden's Britannia, 1695, framed, 38.5cm x 42cm also Morden 'Gloucestershire' and 'Leicestershire' (3)

ROBERT MORDEN - 'Cumberland', hand coloured engraving, published in Camden's Britannia, 1695, framed, 37cm x 42cm also Morden 'Northumberland', 'Westmorland' and 'Durham' (4)

ROBERT MORDEN - 'Worcestershire', hand coloured engraving, published in Camden's Britannia, 1695, framed, 38cm x 44cm, also Morden 'Wiltshire', 'Warwickshire' and 'Barkshire' [sic]. (4)

ROBERT MORDEN - 'Surrey', hand coloured engraving, published in Camden's Britannia, 1695, framed, 35.5cm x 41cm also Morden 'Essex' and 'Hertfordshire' (3)

AFTER JOHN NOTT SARTORIOUS, ENGRAVED BY WHESSELL, HAND COLOURED SOFT GROUND ETCHING, PUBLISHED 1799, "Hambletonian", 14 1/2" x 19"

ROBERT MORDEN - 'Suffolk', hand coloured engraving, published in Camden's Britannia, 1695, framed, 37cm x 43cm also Morden 'Oxfordshire', 'Hampshire' and 'Cornwall' (4)